![]() ![]() ![]() Both sounds came from Rob Papen's Albino 3, while Korg's MS20 (from their Legacy Collection), Cakewalk's Z3ta+ and Novation's V-Station provided some spot effects and textural variety. The bass sound combined a main, squelchy-filtered patch (which gave the bass its character) and a mellower, deeper layer, for extra 'oomph'. The main drum loops had been taken from a sample library, but these were supplemented much of the time by a basic, programmed beat, courtesy of Native Instruments Kontakt (v1.5), and an added tambourine part from IK Multimedia's Sampletank 2. He had used this to create the song from a number of different sound sources. His sequencer of choice was Cubase SL 3, which he ran on a Sony Vaio 1.6GHz Pentium M laptop, with a MOTU 828 MkII audio interface. He had deliberately attempted to use the minimum of equipment, so that he could focus on developing his own style, rather than having to spend too much time learning about lots of kit. He contacted Sound On Sound because he was struggling to flesh these sketches out into finished productions, and sent in a mix of his song, 'Shut Your Eyes', as an example of the results he was achieving. This month we deal with thorny phase-cancellation problems, overhaul musical arrangements and get creative with effects, as we rise to the Mix Rescue challenge.Īlthough Richard Campbell used to play in bands, he's turned more recently to software to realise his musical ideas, using what spare time he has to put together song ideas. ![]()
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